Life and career
His first feature film was Fragmentos de um Filme Esmola: A Sagrada Família (1972). In 1981 he made Silvestre, an adaptation of traditional Portuguese folk stories. "Silvestre" was shown at the Venice Film Festival and was an important step in his international recognition. À Flor do Mar (1986), featuring Laura Morante, was shown at the Salsomaggiore Film Festival, where it won the Special Jury Prize. Monteiro returned to the Venice Film Festival in 1989 with Recordações da Casa Amarela (Silver Lion), a film that marked the introduction of the character João de Deus. In 1992 he made O Último Mergulho - esboço de filme, featuring Fabienne Babbe. A Comédia de Deus (Venice Film Festival, 1995), As Bodas de Deus (1999 Cannes Film Festival),[1] Branca de Neve (Venice Film Festival,, 2000) and Vai e Vem (Cannes Film Festival, 2003) were his last works. Branca de Neve (Snow White) was highly controversial because much of the film consists of a black screen, although a densely composed audio track plays throughout.
Aesthetics
Filmography
Sophia de Mello Breyner Andersen (documentary, 1969)
Quem Espera por Sapatos de Defunto Morre Descalso (short, 1971)
Fragmentos de um Filme-Esmola: A Sagrada Família (1972)
Que Farei com Esta Espada? (1975)
Amor de Mãe (1975)
Os Dois Soldados (short, 1978)
Veredas (1978)
O Amor das Três Romãs (short, 1979)
O Rico e o Pobre (short, 1979)
Silvestre (1982)
À Flor do Mar (1986)
Recordações da Casa Amarela (1989)
O Último Mergulho (1992)
Passeio com Johnny Guitar (short, 1995)
Lettera amorosa (short, 1995)
O Bestiário ou o Cortejo de Orpheu (short, 1995)
A Comédia de Deus (1995)
Le Bassin de John Wayne (1997)
As Bodas de Deus 1999
Branca de Neve (2000)
Vai e Vêm (2003)
Books
Morituri te Salutant (1974)
Le Bassin de John Wayne (1998)
As Bodas de Deus (1998)
Uma Semana Noutra Cidade (1999)
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